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Performances are likeable, even if characters never feel particularly deep. Ndleleni has terrific screen presence as Lu, who is only beginning to admit to herself that she might be gay. Her friendships are vividly played, even if fall-outs and reconciliations feel scripted. Smith is strong as Jodie, especially in tricky scenes later on. And Ilung has fierce charisma as the confident Ayanda. Other characters have nice subplots, and the grown-ups are also solid, just about transcending their cartoonish types.

There are constant pointed comments about race and gender that add deeper topicality to the story, plus a superb depiction of awkward adolescent sexuality. The boys school next door adds some spice to both the comedy and the drama, especially in multiple moments in which girls are punished for something a boy does. But all of this is played with a wink and a smile, plus a reminder that these youngsters still have a lot to figure out.

themes, language

27.Mar.26

Offhanded and naturalistic, Perkins and Trensch create vivid personalities that mix together intriguingly, teasing each other and remembering their younger selves. So it's fascinating to see them recognise the changes they have experienced since they first began hanging out a decade ago. The actors beautifully capture both the tight bond between them and the creeping doubts that are starting to emerge. So there's a remarkably complexity when they snap at each other.

All of this is augmented by the pristine wilderness locations, with beautiful mountains, rivers and forests, all of which of course carry hidden dangers, especially after dark. Because this is a nonbinary bisexual and a gay man, their conversations often drift into discussions of how people have marginalised them. They also speak about relationships through the filter of their experiences, which have changed their perspectives since they were in their 20s. It's a knowing look at about how much work is required to maintain even a platonic friendship over an extended period.

themes, language

27.Mar.26

Performances are earthy and understated, takinge advantage silent sequences to delve deeper. Khalifeh has natural charisma as the likeable Adnan, so it's easy to see why people are drawn to him. He brings out underlying feelings with unusual subtlety, and portays distinct connections these three men on a variety of physical, soulful and fraternal levels. Isaac, Kornel and Risch have the same loosely authentic approach, helping us understand how these men impact Adnan so profoundly.

The title refers to a dish Adnan and Yariel share early on. They also share poems by Li Bai, which infuse the film with a philosophical exploration of the connection between desire and love. Conversations are a clever blend of light banter, revelatory emotions and engaging storytelling. So the film becomes a remarkable depiction of the growth we experience when we become vulnerable romantically. And even more powerful is the way it touches on how each of us has lingering issues that affect our relationships in ways that are difficult to articulate. This leaves the film both moving and eye-opening.

themes, language, sexuality

28.Mar.26