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dir-scr JC Chandor
prd Robert Ogden Barnum, Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto
with Kevin Spacey, Paul Bettany, Zachary Quinto, Penn Badgley, Jeremy Irons, Stanley Tucci, Demi Moore, Simon Baker, Aasif Mandvi, Mary McDonnell, Ashley Williams, Grace Gummer
release US 21.Oct.11, UK 13.Jan.12
The sky is falling: Quinto and Badgley
SUNDANCE FILM FEST
BERLIN FILM FEST
|R E V I E W B Y R I C H C L I N E|
This lucid drama about the start of the current economical collapse is gripping, even if its structure feels stagey: basically a lot of scenes of people talking in offices. But solid performances and an accessible script make it resonate.
When risk-assessment expert Eric (Tucci) is sacked in a wave of downsizing, he gives a file to his employee Peter (Quinto) with the words "be careful". Sure enough, this document suggests an impending apocalypse for the company. So Peter calls in his colleague Seth (Badgley) and they take it to their boss (Bettany), who escalates it upwards over one long night to his boss (Spacey), the top executives (Baker and Moore) and the company owner (Irons). And they make a decision to do something unthinkable.
The point seems to be that greedy people will do whatever it takes to hold on to their money, even if it means sacrificing their most loyal colleagues in the process. And even if it cripples the entire Wall Street system for years to come. Intriguingly, this huge story plays out in the intensely personal actions of these terrified men (and one woman), all worrying about what it means for them. And of course, the top dogs will manage to make money out of the chaos even as their underlings are ruined for life.
Yes, this is an extremely bleak exploration of the fall of capitalism, and the actors are terrific at playing people who always put their own needs before everyone else's. In one chilling conversation, Bettany rants about his disdain for the "normal people" who provide all the cash these wealthy people spend. None of these people care that what they are doing will destroy "normal" lives.
While this statement is a bit obvious, writer-director Chandor also stirs in some literary elements such as Spacey's symbolically dying dog. And the performances that bring the film to life, with especially strong turns by Bettany, Quinto and Badgley. Spacey and Irons are remarkably restrained, never bursting into Mamet-like word explosions, but still powerful. Together, they convey the impending sense of doom in a way we vividly feel. But then we're living in their mess now, so we feel it every day now.
|R E A D E R R E V I E W S|
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© 2012 by Rich Cline, Shadows on the Wall|
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