127 Hours
5/5 MUST must see SEE
dir Danny Boyle
scr Danny Boyle, Simon Beaufoy
prd Danny Boyle, Christian Colson, John Smithson
with James Franco, Kate Mara, Amber Tamblyn, Clemence Poesy, Treat Williams, Kate Burton, Lizzy Caplan, John Lawrence, Pieter Jan Brugge, Darin Southam, Norman Lehnert, Peter Joshua Hull
release US 5.Nov.10, UK 7.Jan.11
10/UK Pathe 1h34
127 Hours
On an adventure: Franco

mara tamblyn poesy

30th Shadows Awards

london film fest
R E V I E W    B Y    R I C H    C L I N E
127 Hours Danny Boyle brings his considerable filmmaking energy to bear on this claustrophobic true story, and the result is a bracing thriller that puts us right into the mind of a man trapped in an unthinkable situation.

In April 2003, adventure sportsman Aron Ralston (Franco) heads into Utah's Blue John Canyon for a day of hiking. He meets two girls (Mara and Tamblyn) along the way, and stops to show them a cool underwater lake. Then he heads on his own into a narrow slit in the earth where a bolder falls and pins his right arm against the wall. Unable to move, he spends the next five days pondering for the first time his own humanity and mortality. And after trying everything imaginable, he only has one option left.

We know he survives because Ralston lived to write the book that this film is based on. And while a movie about a guy stuck in a narrow gorge might not sound very interesting visually, Boyle is more than up to that challenge. The result is a white-knuckle rollercoaster that takes us deep into Ralston's psyche until we share the experience with him. Yes, it's shattering, but it's also exhilarating to watch. Although "watch" isn't the right word for this film. "Experience" is more like it.

Boyle is ably assisted by ace cinematographers Anthony Dod Mantle and Enrique Chediak, who capture the landscape with real gusto, mixing bold textures, colours, light and shadow so vividly that we can feel it. While the flashbacks and fantasies weave together in a seamless stream of consciousness. And with music touching on just about every conceivable genre, AR Rahman has invented a fresh new way to score movies.

But the heart and soul of this film is Franco, who delivers one of his most fully invested performances (which is saying a lot) as a man whose almost overpowering joie de vivre is tested beyond all reason. Charming, funny, terrified and quite literally at the end of his tether, Franco takes us down to Aron's core. By the end, we're actually rooting for him to do the unthinkable. And that's the sign of masterful filmmaking.

cert 15 themes, language, grisliness 11.Oct.10

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