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Downton Abbey: The Grand Finale
Review by Rich Cline |
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![]() dir Simon Curtis scr Julian Fellowes prd Julian Fellowes, Gareth Neame, Liz Trubridge with Michelle Dockery, Hugh Bonneville, Elizabeth McGovern, Laura Carmichael, Penelope Wilton, Jim Carter, Paul Giamatti, Dominic West, Alessandro Nivola, Arty Froushan, Phyllis Logan, Joanne Froggatt, Allen Leech, Sophie McShera, Lesley Nicol, Kevin Doyle, Robert James-Collier release UK/US 12.Sep.25 25/UK Focus 2h03 ![]() ![]() ![]() See also: ![]() ![]() Is it streaming? |
![]() ../19/downabbe.htm ../22/downabbe.htm Julian Fellowes increasingly warm and cosy franchise wraps up with another exploration of British society as it shifts from the Olde Worlde into the modern age, now in 1930. This lively, funny, sprawling upstairs-downstairs romp has brisk pacing, jumping between scenes to give screen-time to a vast number of characters and plotlines. And while there are some wonderfully witty barbs, all of the edges have been smoothed away. Everyone's in a state of change. Lady Mary (Dockery) is shunned by society as a divorcee. Butler Carson (Carter) and cook Patmore (Nicol) are retiring. And Lord and Lady Grantham (Bonneville and McGovern) need to take tough action regarding squeezed finances. Uncle Harold (Giamatti) arrives with more bad news and a charming advisor (Nivola) who locks eyes on Mary. Meanwhile, Lady Edith (Carmichael) connives with servants to restore Mary's status by inviting Noel Coward (Froushan) and actor Dexter (West) for a lavish dinner. And Lady Merton (Wilton) has makes plans for the forthcoming county fair. Many more smaller story threads entwine through these two hours, giving each character some sort of send-off. But a few stalwarts fade into the background. Comical relief comes from Moseley (Doyle), who has had some success as a screenwriter and is desperate to meet Coward. And of course everyone, both upstairs and downstairs, is always ready with a snappy comment. The only difference is whether the accent is cut glass or Yorkshire gold. There are also continual nods to events throughout 15 years of episodes and films. Although things are much more toothless than back in Season 1. Dockery is almost playing a pastiche of Mary now, although glimmers of that wild young woman remain alongside clever echoes of her imperious grandmama. Indeed, Maggie Smith's legacy looms large. And there are wonderfully warm moments for most of the cast as they allow themselves to show affection for each other in sometimes surprising moments. If Fellowes had stuck to his guns and kept things as spicy as they were in the beginning, this franchise might have been remembered for astute observations, daring storytelling and complex characters. Instead, this has become more like a favourite pair of slippers. We love to sink in and wallow in the messy maze of hilariously simplistic plot threads, giggling at the spirited banter and sighing about how the world has changed. We'll definitely miss this rambling cast of loveable characters, but we're unlikely to give them much thought until the next reunion.
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© 2025 by Rich Cline, Shadows on the Wall | |||||
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