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|Transformers: Dark of the Moon|
dir Michael Bay; scr Ehren Kruger
prd Ian Bryce, Tom DeSanto, Lorenzo di Bonaventura, Don Murphy
with Shia LaBeouf, Rosie Huntington-Whiteley, Josh Duhamel, John Turturro, Tyrese Gibson, Patrick Dempsey, Frances McDormand, John Malkovich, Kevin Dunn, Julie White, Alan Tudyk, Ken Jeong
voices Peter Cullen, Leonard Nimoy, Hugo Weaving, James Remar
release US/UK 29.Jun.11
11/US Paramount 2h36
It's crunch time: Labeouf and Huntington-Whiteley
|R E V I E W B Y R I C H C L I N E|
With his usual disregard for story logic, Bay plunges us into another deafening metal-against-metal smackdown. Fortunately, this film is a lot more entertaining than Part 2, because it has a more linear plot. And it looks absolutely amazing.
With everything back to normal, Sam (LaBeouf) needs a job to impress his impossibly hot new girlfriend Carly (Huntington-Whiteley). Then strange things start happening around him. Again. And soon he realises that the Decepticons are back to wage war against the Autobot-human alliance. But he has to convince an arrogant government official (McDormand) to let him get involved with his old team (Duhamel, Gibson, Turturro and their Autobot buddies). All of this has something to do with a secret weapon that crashed onto the dark side of the moon in 1961, sparking the space race.
McDormand is easily the best thing about this film, even if her character has a dramatic personality shift halfway through the film. Malkovich is also terrific (as Sam's offbeat new boss), and Dempsey has his moments as well (as Carly's boss and cause of Sam's inferiority complex). Fortunately, the narrative is straightforward enough to give all of the actors the chance to make their mark, distinguishing themselves above the chaos.
Sadly, the same can't be said about the battling robots. While the first-rate animation has a staggering attention to detail, the deafening battles are still impossible to follow. They amount to an eye-catching display of whizzy effects as clanking robots bash each other senseless and destroy everything around them (Chicago gets the full destructive force for a change). Although at least they fit vaguely into the plot this time.
Meanwhile, lapses in even the most twisted logic are plentiful, including the fact that Sam seems to have metallic Transformer bones to resist injury as he's flung into walls and dropped from high places (not to mention Carly's magical white suit and heels). In other words, it's deeply preposterous and almost painfully boyish, but it's nowhere near as muddled as the last chapter. And besides keeping our eyes entertained, there are some great moments throughout the mayhem.
|R E A D E R R E V I E W S|
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© 2011 by Rich Cline, Shadows on the Wall|
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