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|How to Train Your Dragon|
dir Dean DeBlois, Chris Sanders
prd Bonnie Arnold
scr Will Davies, Dean DeBlois, Chris Sanders
voices Jay Baruchel, Gerard Butler, Craig Ferguson, America Ferrera, Jonah Hill, Christopher Mintz-Plasse, TJ Miller, Kristen Wiig, Ashley Jensen, David Tennant, Robin Atkin Downes, Kieron Elliott
release US 26.Mar.10, UK 31.Mar.10
10/US DreamWorks 1h38
Down boy: Toothless and Hiccup
|R E V I E W B Y R I C H C L I N E|
A winning combination of vivid imagery, snappy writing and a strong narrative lifts this far above most animated features. And it also has a surprisingly effective message woven into the comedy and action.
In an isolated Viking village, vicious attacks by fire-breathing dragons are standard, so naturally the villagers grow up to be dragon-slayers. The exception is Hiccup (Baruchel), a geeky teen who simply can't think inside the box, as it were. His annoyed tough-guy father Stoick (Butler) reluctantly allows Hiccup to train at the dragon-fighting school run by Gobber (Ferguson). Hiccup is only interested because the sexy Astrid (Ferrera) is the top student. But he also has a huge secret: one of his inventions has downed a feared night fury dragon, and he has befriended it.
Sure, there needs to be a moratorium on films about a geeky boy who makes a discovery that helps him get the hot girl and restore his strained relationship with his father. But these writers approach the premise with enough wit and insight that we don't mind at all. It also helps that the characters are remarkably detailed, with telling quirks that hold our interest and keep us laughing. Even the dragons get such lively personalities that we want one all our own.
Meanwhile, the technical quality of this film is far beyond what we expect. While maintaining a superbly cartoonish design, the animators out-do themselves with textures and 3D rendering that look more like Avatar than Pixar. The soaring sequences with Hiccup on the back of his dragon, which he mischievously names Toothless, are exhilarating even as they're also funny, sweet or terrifying. And the cast members add further sharp angles with their voices (the clever casting hints that this is a Viking-colonised Scottish island).
But all of this is in service to the characters and a story that actually says some important things about both heroism and warfare. The key message here is that we need to learn to look at things freshly to avoid continuing conflict merely for the sake of it, which is a pretty hefty theme for what's essentially a wildly entertaining romp.
|R E A D E R R E V I E W S|
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© 2010 by Rich Cline, Shadows on the Wall|
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