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Off set, Francesca is lamenting the fact that she's never found true love while Calvin sleeps with anything that moves, including human resources executive Lee (Keener), who's decided to end her dying marriage to the screenwriter Carl (Pierce), who cowrote both Rendezvous and the play The Sound and the Fuhrer (starring Katt as a new age Hitler) with Art (Colantoni), who has been going online pretending to be a 22-year-old painter to seduce Linda (McCormack), who happens to be Lee's sister!

Soderbergh circles around and around, playing with the characters and building steadily to a movie producer's (Duchovny) 40th birthday party, where everyone comes together. Sort of. The film is busy and complicated and it required intense attention as well as a sort of detached willingness to just go with it. Achieving the right balance is difficult, but it's rewarded with one of the most hilarious and astute jabs at Hollywood in recent memory, as it brilliantly contrasts these characters' tortured love lives with a perfect movie romance. Of course there's a lot more to it than that, and the cast play it exceptionally well (Pierce and McCormack are the standouts). There are moments of unexpected awfulness and sublime humour throughout the film. You really have to see it for yourself though.