In Too Deep


Boyz n the hood. Crime-boss "God" (Cool J) doesn't suspect that his trusted colleague Jeff (Epps) is actually an undercover cop...
dir Michael Rymer
scr Michael Henry Brown, Paul Aaron
with Omar Epps, LL Cool J, Stanley Tucci, Nia Long, Pam Grier, Jake Weber, Veronica Webb, Hill Harper, Richard Brooks, David Patrick Kelly, Lloyd Adams, Gano Grills
Dimension 99/US 3 out of 5 stars
Review by Rich Cline
Undercover cop goes so far under that he can hardly find his way out. If the subject matter weren't so familiar, In Too Deep would probably be a much more important film than it is. It's extremely well made, based on a true story and full of superbly gauged performances. And yet you have the feeling you've seen it before....

Jeff Cole (Epps) is a young detective infiltrating the Cincinnati underworld to capture the top dog, known as "God" (Cool J). As Jeff gets more familiar with his criminal pals, he finds trust and loyalty, which he knows he'll have to eventually betray. Outside, his senior officer (Tucci) is worried that he's losing his identity--he is!--while the drug enforcement agent (Weber) wants to get his man at any cost. And Jeff's girlfriend (Long) wonders if he'll ever be himself again.

Australian director Rymer gives the film a remarkably realistic tone that's neither too gritty nor glossy. It feels authentic, and the carefully underplayed performances help a lot. Epps and Tucci add layers of meaning to their already well-written roles, but Cool J is the standout (yet again) with a terrifically balanced portrayal of a likeable, charismatic brute who has a zen-like, offhanded smile ... until he's crossed. Best of all, the film avoids cliches in its approach to innercity life, crime gangs and even the cops, while Rymer keeps the story tight and the visuals interesting. Still, there's some rather obvious scripting, which preaches to the converted. Other parts of the strong, compelling story are confusing and repetitive--and very grisly. And beyond the obvious questions (Is it worth it to send cops this deep undercover? How does someone in this situation find himself again?), the film doesn't really have anything new to say. It says it all very well, but it's just not fresh enough.

[18--adult themes and situations, violence, language] 12.Jul.00
US release 27.Aug.99; UK release 14.Jul.00

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© 2000 by Rich Cline, Shadows on the Wall

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